Blood, sweat and no flattr. This is the Evil Kliq squad announcing the mighty mighty All Control Remix EP using that Professor Kliq track with the same name to deliver some manic electronica.
Evil Kliq is a loose squad of music addicted memes that pushes and shoves the doodlings from Professor Kliq.
The track All Control by Professor Kliq has been originally released on Of Men and Machines; a co-compilation between the two netlabels Audiovisual Theorem and rec72 back in 2009.
Jemset from France was so kind to walk through rec72’s music catalogue and pick up some of the finest artists to produce an eclectic mix of their music and tracks. Listen the Sonic Walker Mix 103 by Jemset.
Ladies and Gentlemen pump up the volume and get smashed by the debut album „Queendom Come“ by ZOE.LEELA. Experience the seductive and smooth voice of Berlin singer and actress ZOE.LEELA.
We call her sound on „Queendom Come“ New Plastic Soul as the album is saturated with the fragmented spirit of international cities. Porous jazz influences, urban hip-hop salutes, and sober, electronic sounds reflect the structured chaos found within an international, musical metropolis.
rec72 is psyched up to deliver the new album by ZOE.LEELA to the masses! Her masterpiece of urban sound is ready to enter the many dance floors and mobile devices out there.
On „Queendom Come“ the two state-of-the-art producers Skywax from Berlin and Noah Felk from So High Studios in Hamburg poured down their most sophisticated and edgy music sources on six songs catering the unique talents by ZOE.LEELA. No other than Cem Oral – former „Air Liquide“ – put his final touches on mastering and pushing the limits of grand Creative Commons music on her album „Queendom Come“!
Celebrate and spread the new era of sound in CC music by downloading ZOE.LEELA’s debut album „Queendom come“ for free; including six tracks, cover arts, booklet and additional biographical infos of her in English, German and Spanish language.
Music clip
This clip contains her 1st single “Destroy She Says” and it gives a reflection of ZOE.LEELA’s last year visting some sunny places, stages and radio studios.
Pixel Mixel is the new full length album by Bitbasic containing 11 tracks of playful and melodic Electronica. On his 40+ minutes album he’s been touching the various styles such as Drill ‘n’ Bass, Nu Breaks and Intelligent Dance Music. Something for the ladies and gentlemen on the dancefloor indeed but also thought to be heard under your headphones!
Pixel Mixel arrives right on time for this year’s Cologne Commons festival where Bitbasic will be performing live on Saturday 12th June 2010 at the famous Gebäude 9 in Cologne. With his current release Bitbasic; the lunatic noise enthusiast from London, pushes forward the next level of glitchy Breaks and drilly IDM.
London-based Bitbasic aka. Simon Haycock, has released several EPs and albums through other netlabels such as Monotonik and Testpilot Music before; Bitbasic started his musical adventures at the age of 15. Playing out with a laptop and 40h monome, Simon uses his self-written software ‘dj64′ which modells a mixer and two turntables virtually.
As the music magazine Drowned in Sound has coined Bitbasic’s virtuosity “in nodding to the likes of Nathan Fake, Four Tet and Paul White among others, Haycock is [...]bringing together equally excellent and equally diverse genres and wedding them into a sound distinctly his own.”
Shiver Me Timbres by Pandacetamol is a pure manifesto of sophisticated Electronica that sounds like Scottish pioneering electronic music from the 1990’s beamed up to the present time. The current Pandacetamol album delivers 50 minutes of gloomy downtempo doodlings, where The Black Dog goes snoopy and Plaid the cat is jumping on a hot tin roof.
The majority of Pandacetamol tracks are recorded in one take and then edited and polished as required. They wholeheartedly believe that this method of capturing the musical “moments” as they happen when a jam is in process is an essential component in conjuring electronic music that has an organic atmosphere and emotional edge. Dark but filled with hope, hypnotic but constantly morphing, opulent but sinister, their tracks are bite-sized journeys which together make up a full tasty meal of sound. Each of their EPs and albums are carefully composed to be enjoyed as a whole.
“Shiver me Timbres was the result of some hazy jam sessions in Edinburgh throughout the summer of 2009, (a GOOD summer!). It is laced with indefinable feelings of nostalgia, joy, melancholy and a healthy dash of disquiet.”
Pandacetamol are Paul Alexander and Mark Rushbury, a pair of bald blokes who originally hail from Glasgow in Scotland. They possess a genuine passion for sound and synthesis and love jamming on their bargain vintage analogue synths and shiny grooveboxes. The result of these jams are musical doodlings that are ethereal, dark, funky, beautiful and strange all at once.
Previous exploits in Pandacetamol noise-sharing have included three albums released on the wonderful experimental ambient netlabel Earth Monkey Productions. Unleashed to the public throughout 2008 and 2009, the albums “Heavy Concentration”, “The Mystery of Spyglass Hill” and “Nocturnal” have gathered over 6000 downloads between them to date and are all still available for free on the internet archive.
Thanks to a love of early nineties psychedelic acid music, (especially the other-worldly sounds created by Air Liquide, Dr Walker, Khan, Thomas Heckmann etc), a friendship was formed with Dr Walker through the We Call it Acid forum in 2007. After a few tracks were shared, Pandacetamol were invited to play a live gig alongside Dr Walker at the ArtTheater Cologne in March 2008. This led to a Pandacetamol DIGIrelease through the cult Cologne label Propulsion285 called the “Hazy Gaze EP” which contains 5 tracks of funky and intense acid breaks for sheer listening pleasure.
More recently, an album comprised of a live set recorded during an appearance at the UniqueBeats event for the Edinburgh Festival in August 2009 was released and a Pandacetamol remix of the track Special K by Radio Scotvoid (Scott Buchannan of Small Radio) appeared on the amazing album Fragment (Consider Revising) Special K Edition 2010.
U.G.L.Y. is here for you crowds licking for some New Plastic Soul by one and only Berlin Asphaltgöre: Zoe.LeelA!
The new mono single U.G.L.Y. is a bas(s)tard, a mix of UK sprung Jungle, a clever play between ugly tuff beats, and some heavy guitars; pouring down on Zoe.LeelA’s instinctiveness and voice. Forget about vulcano stories you might have heard: U.G.L.Y. is a stunner.
Zoe.LeelA’s performance on her new mono single U.G.L.Y. is pushing the limits of pop and glamour being punched with some punk on the dancefloor, as the German Press coined her own style and genre.
On April, 16th 2010, Zoe.LeelA will hit the stage live at re: publica 2010 Festival at Kalkscheune in Berlin.
nisei23’s album Soft Shapes is an overture of Drone-driven and melodic textures & rhythmic loops at the same time. It is product of over 3 years of work. nisei23’s music on this album is designed to be amorphous, shifting through time and space. Soft Shapes contains 19 Tracks, including extensive cover arts and release credits.
“It’s like a dream where everything is familiar but everything is different”, he confesses. The sounds on his album were carefully constructed from acoustic instruments and natural sounds which were manipulated and molded into drones, rhythmical loops and melodic patterns. The only exception was “Don’t Panic” which is entirely electronic. The melodies themselves are equally unconventional, sometimes with slow and subtle movements and other times making dramatic and unexpected twists.
“I don’t usually talk about my musical influences but while making this album I was listening to Can, My Bloody Valentine, Brian Eno, Miles Davis, Slowdive and Erik Satie and after much debate decided to include my version of Gymnopedie 1. There are also many non musical influences but that’s something I won’t divulge.” (nisei23, march 2010)
nisei23 aka. Rob Allen is currently living in Bangkok and has been making music and visuals for many years. In april 2010 he will also be releasing his Bare Bones EP via Lona Records. Rob also contributed with his eclectic remix track I love Special K to the remix album Fragment – Consider Revising by label mate Radio Scotvoid (half of Small Radio duo).
You’ve found Old Bear in the woods of playful Electronica: The latest album “If you can find me” by french artist Vincent Amelot aka. Old Bear perfectly combines the genres IDM and Abstract Hip Hop thus creating a genre-crossing and straight forward sound. Experience his melodic and thrilling tunes in normal track order or as preferred in random order.
The album contains 10 songs including cover arts. All music by Old Bear is licensed under Creative Commons 3.0 de (by-nc-sa). rec72 netlabel is proud to announce the 30th release with Old Bear’s “If you can finde me” since we started our mission in 2007.
The beautiful dark grizzly bear cover arts (front + back) have been designed by Daniel Green from devious creations. You can admire them in the viral clip to Old Bear’s album.
Artist info
Vincent Amelot basically lives in Paris but sometimes returns in a little town in Normandy. His current IDM project Old Bear was born in 2000. He is also collaborating with the two artists Toy² and le Fonz as Black fungus, an experimental project between IDM and rock.
Posted by on 07 Feb 2010 by rec72 in Featured, Music
Sparkling G! is the latest album by French-based artist yan_g pouring down the genres Jazz and abstract Electronica into a coherent and universal music stream.
His own reflections on Sparkling G! album: „It is not a concept album”, there is no idea behind the music, there is no thinking involved! „I tried, as in most of my music, to put as much soul in it as I can. I always try to tell something coherent, realistic, even if I have no idea what it is.“ The major point of his music is to tell what can’t be told in words, to express what wants to come out, with very little control. „I would say that the only conscious input during my music making process is the attempt to make it musically universal; to give it a certain coherence. I make sure each track is meaningful to me, with the hope that it’ll be meaningful to someone else, too.“
Analyzing his own music and creation process, yan_g considers the lower frequencies as dark, and the higher as bright. „Which, I guess is universal because on many audio devices the boosting of high frequencies is called brightness.“ The sparkles he mentions in the title refer to that. yan_G tries to sculpt stars with the high frequencies, above a beautiful landscape made of bass and mids. Bright details that sparkle in your ear.
Besides the most obvious Plaid and Squarepusher (Warp), yan_g’s major influences are Freeform (Skam) for the production and composition, Leila (Rephlex) for the soul, and LRAB (Audio Aubergine…) for the bright moments.
Album info: 7 tracks, front & back cover arts – album is licensed under Creative Commons 3.0 de (by-nc-sa)
Artist info: Yann Guillermou aka. yan_g (born 1979) is currently living near Paris, France. He started composing music when he was a teenager, on Atari ST using Protracker, then stumbled upon guitar music, and returned to Electronica. Nowadays he is taking jazz guitar lessons and listens to more and more jazz so: In future yan_G will most probably provide much more jazz-oriented music than we hear on Sparkling G!.
Posted by on 11 Nov 2009 by rec72 in Featured, Music
Net control is the latest concept album by artist Monopole (a.k.a. Richard Sudney). The whole idea of this album was taken from the natural occurrence of electromagnetic wave propagating through the ether. Like the waves being generated on the waters surface from a stone being thrown into it; this album takes these wave disturbances and mimics it over 6 tracks.
The material used in this album are hand crafted by Richard Sudney. Field recordings that were used, contained various samples of shortwave broadcasts of data transmissions , others are from vintage reel to reel tape recordings from the 1950’s of radio transmissions. A home made audio possessor was used along with a $30 key board synthesizer, and hundreds of pain stakingly put to gather micro samples. All of which made “Net control” a crafty album.
About Monopole (Richard Sudney)
Richard Sudney was born in Detroit in 1978. As naturally curious individual he was drawn towards electronics and shortwave radio at an early age. It wasn’t until his late 20s and early 30s during college when he amid his curiosity to netlableism. “In a media like the internet where free thinking is the material of it’s construction, it’s a no brainier that netlableism exists in it”(Richard Sudney 2009). In 2005 Richard Sudney (a.k.a. Monopole) started creating simple melodies on his computer by ways of using software based oscillators. As time went on, Monopole a self tough musician, got a hold of a children’s keyboard synthesizer at a flea market. At this time, being a student in college studying electronics, it was natural for Richard to make electronic devices, so he set out to make a audio processor which is to accompany that $30 key board. This processor can be heard in many of his compilations. At the present time Monopole is growing away from cheap synthesizers and leaning too sounds of short wave and field recordings made by him with a homemade field recording apparatus. “Micro samples of field recording that I made while roaming around abandon factory’s and houses in the Detroit area, are the next level of electronic music after the synthesizer and processor. It gives the impression of lofi but still maintains the electronic feel.”
(Richard Sudney 2009)
Net control” is the latest concept album by artist Monopole (a.k.a. Richard Sudney). The whole idea of this album was taken from the natural occurrence of electromagnetic wave propagating through the ether. Like the waves being generated on the waters surface from a stone being thrown into it; this album takes these wave disturbances, and mimics it.
The material used in this album are hand crafted by Richard Sudney. Field recordings that were used, contained various samples of shortwave broadcasts of data transmissions , others are from vintage reel to reel tape recordings from the 1950’s of radio transmissions. A home made audio possessor was used along with a $30 key board synthesizer, and hundreds of pain stakingly put to gather micro samples. All of which made “Net control” a crafty album.
Celebrate the 3rd full length album from Kurobear with his brand new album called “Europa”. Kurobear – formally known as Kid Caustic – has put together nine electro melodic and catchy tunes on “Europa” reflecting his physical and mental constitution when he was seriously ill in 2009. We don’t go into further details now, but be sure to listen to Kurobear’s musical answers on dreamy trips of “Europa”. So he presents a nifty album trying to recreate the feeling of “sleep and just being in a whole different state of consciousness”, as Kurobear describes his age of insomnia at the beginning of the year.
Kurobear says: “The album title came to me when I was really sick in a dream, in about march I got really and was sleeping about 23 hours a day, only to wake up and see if I could move at all but whenever I did try to move or be active, it made it worse.”
When he was writing “Europa” afterwards he took a lot of ideas from groups like The Orb and psychedelic music from the 60’s as well as jam band stuff, taking all those different influences and putting them together; and trying to make them work while still being able to pick out the different sounds, so it doesn’t sound like a mash of different things.
Posted by on 04 Oct 2009 by rec72 in Featured, Music
Bigger cities in western hemisphere are known as vivid and inspiring locations to express yourself. But they also stand for the many unbearable and frosty places in means of social connectivity and dislocation.
This is what Phopha experienced when he went on to study in two different places: “I was feeling down and all those new people were maybe too much for me”, he says and decided to relocate to a smaller town (rather village) to stop his studies and continue his life by selling music instruments.
But some really weird visions on those cities remained and he saw himself wandering through the places over and over again. So the easiest way to get rid off those nightmares, Phopha started making music about the “traumatic” spots (which have fictional names on the album that correspond some of the memories): “That’s why sometimes the songs may sound unfinished but that’s really it, that’s what I was then, fortunately it is all over though.”
Richard Elis aka. Phopha from Czech Republic presents his debut album “Cities” on rec72 containing 9 songs covering the genres downtempo, shoe-gaze and trip-hop music.
The track “Vibe City” contains vocals by US hiphop act Forensic.
Imagine the following: You are able to experience an ordinary week in your own parallel unviverse, shift phase from alter ego to alter ego and find the many worlds you visit on your trip similar but also different compared to what you get to know in your universal life.
This is what deef’s current album “Eine ganz normale Woche im Paralleluniversum” is heading for. His album is considered to be an acoustic “Gedankenexperiment”: You are the visitor and protagonist at the same time. The moment you start listening to “Eine ganz normale Woche im Paralleluniversum” your temporal and spatial journey begins; and you will wander through the various universes that co-exist in any single track from the album.
Each track stands for the many parallel and individual universes.
Sometimes it’s obvious in one track that you slide from universe to universe. Another time it’s not to so clear and at the end of your musical trip you might have recognized the shift in space and time. The environment you find yourself toggles within one track; so keep an ear on it and enjoy the hyper unknown.
Basically German crowds say Germany doesn’t bear any new experimental and contemporary modern electronic music artist sending outstanding tunes through the aether! Well, folks it seems you haven’t noticed that we already have such an artist amongst us for more than a year! With his current album “Eine ganz normale Woche im Paralleluniversum” rec72 celebrates the second full length album by deef and we are proud to present Germany’s all time Electronica artists number one.
There is no such thing! As deef enhances his extravaganza with selected field recordings taken from the various spots he visited during the past year – since he has released his first album “Lebensbegleitende Musik” in 2008 on our label. His new album “Eine ganz normale Woche im Paralleluniversum” includes 8 extraordinary ambient and downtempo tracks; delivering an atmosphere which we normally expect from experimental music composers or rather find in psychedelic movies produced by David Lynch.
Travel through deef’s hypermusical universe for free. No worries you will return safe and sound to the correct time and space you started from!
The first track Wanderblasen on the album has been employed in the beautiful music clip produced by deef & Niklas Plessing. Both collected the video footage of nature on their trip to La Gomera island in early 2009.
Posted by on 17 Aug 2009 by rec72 in Featured, Music
“Of Men And Machines” is an hommage to the relationship between machines and mankind. This compilation is considered to be a tribute to the perfect symbiosis men and machines can reach. Since the appearance of machines, they’ve been closely linked to the concept of progress. Every generation of machines is more perfect and mankind benefits from this evolution. “Of Men And Machines” demonstrates that creativity of human beings is multiplied exponentially with machines – no question.
18 artists from around the world expound their personal relationship between machines and themselves to produce emotions and sounds. Thus the netlabels Audiovisual Theorem and rec72 employ the same relationship to approach the infinite possibilities and collaborate in a compilation that travels through a variety of music styles. Expect IDM all over the place, dance to Dubstep, chill with Triphop, make yourself comfortable with minimal house and let experimental Electronica run through your headphones.
Audiovisual Theorem and rec72 Netlabel are really psyched about this release! To host those gifted and enthusiastic artists from all over the world. It is an overwhelming collection of innovative music including diverse genres. We are sure that this co-compilation will become a corner stone in Creative Commons music and collaboration, too as it is and was a great challenge to combine the output of so many artists and to melt it into one electronic and organic rock. The exceptionally weird cover arts have been designed by psycoded.
Le Migre EP gives an 17 minutes long acoustic drive-through the universe of Small Radio; one will immediately recognize that there is an entire album hidden in this release. Le Migre is a dense package of multi-genre-crossing music and one won’t get rid off guitars on that debut EP, too! If you are into smart Electronica adapting the sound from two guitar heroes, than go ahead with those four tracks on Le Migre EP by Small Radio:
On „Ashtray“ electronic rooted dub gets delayed with intelligent drum patterns plus Jeff Murray’s sweeping guitar solos – thanks for this one Jeff! Convince yourself by entering the „2K Summer House“ which is dominated by tough forward / backward guitar riffs and loops by Colin combined with Scott’s heavy Big Beat machinery here! „By any means“ we are already talking about track number #3 of Le Migre: Buzzing bass lines – last heard in some 80’s video games – are fighting some snare wars with Mister Tambourine Man. Sorry, we are almost through Le Migre and „I Am Ricky Richardo“ will tell you a thrilling story about his career as vice detective Miami Magnum. Some people heard „horses’ hooves in there as well“.
Small Radio is a collaborative project by Scott Buchanan aka. Radio Scotvoid and Colin Sweeney aka. Small Colin, two Scotsmen being abroad from Scotland. One is living in the U.S.; the other one in Sweden. The songs on Le Migre EP have been produced over the last two years. Scott did two tracks, and so did Colin; then each of them enhanced it with his own style and precision. You can read about their musical odyssee and the ups and down while getting the show on the road in Colin’s annotations on the project Small Radio:
After a short period of general apathy we began in earnest what was to become ”Le Migre”. A few riffs and parts were sent back an forth, (just to test the water you know?). Then an literal eon went past before the lads in question decided, ”wait a damn minute………this shit ain’t too bad after all”.This is where the magic started to happen. Small Colin played some melody. Radio Scotvoid messed up some beats.
Hell, some random named Jeff ”12 string” Murray even added some guitar. This process was bounced across the Atlantic a few times (at least) in the next few months until both of these former Bravehearts were happy. To be honest we weren’t but like the legend that is Mr G. Lucas said, ”projects are only abandoned, never completed”.
At this point the lads decided enough is enough. The cry was heard over continents, or at least Facebook. So it brings us to today. Four tracks are presented and fifteen-thousand tracks were neglected. Although many an artist knows, that’s how it goes in this game. Radio Scotvoid & Small Colin proudly announce their first collaboration as Small Radio and their Le Migre EP.
Posted by on 19 Jun 2009 by rec72 in Featured, Music
Paco Alvarez draws an acoustic painting free of objects but full of space for the listener’s own thoughts and interpretation when left alone at home with Domestic Landscapes.
You may travel with slow motion or dubbish drive to be right on time. Arriving at different places where ambience, microtonality and soft fieldrecordings wait for contemplation.
Walk those sonic ranges, swim in these melodic seas and fly on top the droning mountains you shall explore in Domestic Landscapes.
Paco Alvarez’s debut album on rec72 is a continuous monument of sophisticated downtempo electronica.
Posted by on 17 May 2009 by rec72 in Featured, Music
Remember the days when the Internet had been occupied by thousands of robots and spiders which gathered all pieces of information resulting in a state of unlimeted music mining in large databases?
F#&? those days are over now and all that remains in the aether are 14 corrupted loops for damaged bots. There is no coherent information available, just corrupted structures in sound which the human listener has to explore and deconstruct himself – without using his beloved widgets and technologies! But with his auditive complex to transcribe DJ Orbique’s codes and tunes.
With “Corrupted Loops for Damaged Bots” rec72 delivers a masterpiece of leftfield Electronica artist Marcin Mis aka. DJ Orbique; one of Poland’s finest music producers and DJs besides longtime crew member lukeing forward. Marcin’s eclectic work combines Illbient, Dub, Breaks and Intelligent Dance Music. Let your mind jump to those tracks and not your feet. The splendid cover art to Orbique’s album has been created by graphic designer Daniel Green from UK based design group Devious Creations.
Don’t miss the first video clip available for Orbique’s track “everything goes wrong (VIP dirty remix)”. The clip was produced by UK based VJ Ultra; longtime visual’s producer at rec72. Watch and download the clip.
Are you wandering unsystematically from music blog to community, from myspace to jamendo and backwards to last.fm? But you never met an album which combined all your favourite tracks from your beloved music acts? Then let Bitbasic simply introduce you “Leonard”, a musical aid kit for the moments of your life in which you lack melodic electronica. 12 tracks that cover almost any style and mood that music can deliver so far. For those of you that need a musical analogy: Expect a bunch of tunes on BitBasic’s Leonard that remind you on acts like AFX, Ulrich Schnauss, Air, Two Loneswordsmen and Steve Reich – no kidding!!!
BitBasic is London-based electronica artist Simon Haycock. His debut album “Leonard ” on rec72 was entirely produced in one month. “As part of the RPM Challenge, where participant musicians are challenged to try and make an album of at least 35 minutes (or 10 tracks) of music”, Simon says. You shouldn’t miss those bright moments of ambient, IDM and shoegaze on one album!
rec72 Netlabelectronica is celebrating the 20th music release with BitBasic’s Leonard album since we started our mission in 2007. Thanks to you people out there for popping by and helping us to spread the smart music of our fine artists!
Pump up the volume for the remix EP Breakdown by lukeing forward, Flanger, Interfusion and Quantum 3
It contains five tracks from Poland’s finest Electronica producers around climbing up your ear gear to leave a striking impact on your mind. Those four guys have completely disassembled the original track and produced very unique tunes of Breakdown! You won’t be able to resist this Intelligent Dance Music release; instead you’ll get your ass up your couch and start dancing immediately. No way to escape. Get it now!
Posted by on 11 Jan 2009 by rec72 in Featured, Music
We count minus 23 degrees outside; the wine is palatable neither and the time has come for some warm sound drops from the Balkans – stirred not shaken! 97 minutes of high-proof sound from 26 different artists mixed together by psycoded. Absorb psycoded’s juicy music mix a little bit and you will experience some uncontrolled body movements. Listen. Dance. Enjoy his first mix for rec72 netlabel; psycoded has put together 26 titles of greater Creative Commons music.
Mix-Tracklist of “23 degrees” by psycoded
01. Doc & Lena Selyanina – i used to talk to you all the time – even though i was alone (musictrade)
02. Stanislav Tolkachev – blue mood (funquedroppings)
03. Soundmap of Cologne – thalys – mehrsprachige zugansage (Soundmap of Cologne)
04. Input_ – computadora (off audio)
05. Dj Dandi e Ugo – lemette (pinksilver)
06. The Suffragettes – homework1 (unfoundsound)
07. Andrés Zacco – vos y yo – lukas mari remix (nomocho)
08. Inge Heiz – schwarzlichthauch (intoxic)
09. Simmetune – philosophie (digital diamonds)
10. Nineteenhertz – spookt (acrylik)
11. Quite-K – broken bubble in the box (tisch records)
12. V.Rotz – cachondeo (tisch records)
13. Dan Rotor – der dikke in japan (digital diamonds)
14. Dataman – wnb (edensonic)
15. Pablo Akaros – olfato (off audio)
16. Pat-Hata – de jersey (ignored)
17. Smear – puch (avionix)
18. Mike Turned – chumba (off audio)
19. Darren Jones – on the deep blue sea (kaktred)
20. Nick Zero – venus (zimmer records)
21. Zengineers – interlude 2 (ideology)
22. Jerzz – afterburnerzz (foem)
23. Soundmap of Cologne – die singenden schranken von Holweide (Soundmap of Cologne)
24. Ronny Pries – nockenwelle (rohformat)
25. Phonout – kellergeister 1 (legoego)
26. mathie delois – efeito part IV (tranzmitter)
Important information None of the artists in the mix are signed on rec72! Their music, which psycoded employed in his mix, has already been released on various netlabels before; rec72 would like to thank those artists and the corresponding netlabels mentioned in the tracklist (above).
Blood, sweat and no flattr. This is the Evil Kliq squad announcing the mighty mighty All Control Remix EP using that Professor Kliq track with the same name to deliver some manic electronica.
Download All Control Remix EP for free
rec72 is psyched up to deliver the new album by ZOE.LEELA to the masses! Her masterpiece of urban sound is ready to enter the many dance floors and mobile devices out there.
Tracklist Pixel Mixel
London-based 
Tracklist Shiver Me Timbres
Listen to 
Excerpts from Soft Shapes album
Tracklist # If you can find me
Net control is the latest concept album by artist 
Celebrate the 3rd full length album from Kurobear with his brand new album called “Europa”. 
Bigger cities in western hemisphere are known as vivid and inspiring locations to express yourself. But they also stand for the many unbearable and frosty places in means of social connectivity and dislocation.
Paco Alvarez
Remember the days when the Internet had been occupied by thousands of robots and spiders which gathered all pieces of information resulting in a state of unlimeted music mining in large databases?
